Adobe After Effects CS6 Digital Classroom – PDF Drive

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Best Photo Editing Apps for Android. These layers can be turned on and off as needed. Both also allow you to apply effects to the contents of individual layers. In Flash, composites do not affect the video content directly; they affect only the appearance of the video during playback in Flash Player. In contrast, when you composite with imported video in After Effects, the video file you export actually incorporates the composited graphics and effects.

Because all drawing and painting in After Effects is done on layers separate from any imported video, it is always non-destructive. Flash has both destructive and nondestructive drawing modes. You can export a SWF file that can be played immediately in Flash Player or used as part of another rich media project. When you export a composition from After Effects as XFL for use in Flash, some of the layers and keyframes that you created in After Effects are preserved in the Flash version.

You can import SWF files into After Effects to composite them with other video or render them as video with additional creative effects. Interactive content and scripted animation are not retained. Animation defined by keyframes is retained. Each SWF file imported into After Effects is flattened into a single continuously rasterized layer, with its alpha channel preserved. Continuous Page: 41 To the top To the top rasterization means that graphics stay sharp as they are scaled up.

This import method allows you to use the root layer or object of your SWF files as a smoothly rendered element in After Effects, allowing the best capabilities of each tool to work together.

After Effects is designed to create motion graphics, apply visual effects, composite visual elements, perform color correction, and perform other post-production tasks for movies. See Import an Adobe Premiere Pro project. A dynamically linked composition appears as a clip in Adobe Premiere Pro. A dynamically linked sequence appears as a footage item in After Effects. Start After Effects from within Premiere Pro and create a new composition with settings that match the settings of your Premiere Pro project.

Adobe Encore uses a naming standard to define a button and the role of individual layers as subpicture highlights and video thumbnails. When you select a group of layers in After Effects to use as an Adobe Encore button, After Effects precomposes the layers and names the precomposition according to the naming standards for buttons. See Template projects and example projects.

Create a button for Adobe Encore 1. In the Timeline panel, select the layers for use in the button. Enter a name for the button. Use the menus to assign up to three highlight layers and one video thumbnail layer, and then click OK. A new composition is created with the button name. The prefix ensures that Adobe Encore recognizes the file as a button. Assign a subpicture highlight and video thumbnail to a layer 1. Select the layer. Export a button for use in Adobe Encore 1.

Open the composition that represents the button, and move the current-time indicator to the desired frame. Edit audio in Adobe Soundbooth While working in After Effects, you may want to use the more comprehensive audio-editing capabilities of Adobe Soundbooth to fine-tune your audio. If you edit an audio-only file for example, a WAV file in Soundbooth, you change the original file.

If you edit a layer that contains both audio and video for example, an AVI file , you edit a copy of the source audio file. Select the layer that contains the audio that you want to edit. The item must be of a type that is editable in Soundbooth. After you save the file, import it into After Effects, add it to the composition, and mute the original audio in the audio-video clip by deselecting the Audio switch in the Timeline panel.

Edit in Adobe Audition CS5. If you edit an audio-only file for example, a WAV file in Adobe Audition, you change the original file. The item must be of a type that is editable in Adobe Audition. After you save the file, import it into After Effects. Then, add it to the composition, and mute the original audio in the audio-video clip by deselecting the Audio switch in the Timeline panel. Tutorials and resources about using Adobe Audition to modify audio from After Effects can be found on this post from the After Effects Region of Interest blog.

About Dynamic Link In the past, sharing media assets among post-production applications has required you to render and export your work from one application before importing it into another. This workflow was inefficient and time-consuming. If you wanted to change the original asset, you rendered and exported the asset again.

Multiple rendered and exported versions of an asset consume disk space, and they can lead to file-management challenges. Dynamic Link offers an alternative to this workflow. Creating a dynamic link is as simple as importing any other type of asset.

Dynamically linked assets appear with unique icons and label colors to help you identify them. Dynamic links are saved in projects generated by these applications. Create a composition from clips in Adobe Premiere Pro You can replace selected clips in Adobe Premiere Pro with a dynamically linked After Effects composition based on those clips.

The new composition inherits the sequence settings from Adobe Premiere Pro. In a sequence, select the clips you want in the composition. Right-click any of the selected clips.

After Effects then creates a project and composition with the dimensions, pixel aspect ratio, frame rate, and audio sample rate of the originating project. If After Effects is already running, it creates a composition in the current project. When you create a dynamically linked After Effects composition, the composition duration is set to 30 seconds.

Click the Basic tab, and specify a new value for Duration. Link to an existing composition For best results, match composition settings such as dimensions, pixel aspect ratio, and frame rate to the settings in the Adobe Premiere Pro or Encore project. Choose an After Effects project file.

Then choose a composition in the displayed dialog box and click OK. If the After Effects project file contains multiple compositions, the Import Composition dialog box opens.

In an Adobe Encore project, however, you can link to an After Effects composition only once. If you create a dynamically linked composition from Encore, turn off subpicture highlight layers in After Effects, so that you can control their display in Encore. Once the composition is open in After Effects, you can change the composition without having to use the Edit Original command again. Change the composition in After Effects. Then, switch back to Adobe Premiere Pro or Encore to view your changes.

Adobe Premiere Pro stops using any preview files rendered for the clip before the changes. Note: You can change the name of the composition in After Effects after creating a dynamic link to it from Adobe Premiere Pro. Adobe Premiere Pro does not update the linked composition name in the Project panel.

Adobe Premiere Pro does retain the dynamic link, however. You can delete a linked composition from an Adobe Premiere Pro project at any time, even if the composition is used in a project. You can delete linked clips from the timeline of an Adobe Premiere Prosequence or from an Encore menu or timeline at any time.

Adobe Premiere Pro then creates a project and sequence with the dimensions, pixel aspect ratio, frame rate, and audio sample rate of the originating project. If Adobe Premiere Pro is already running, it creates a sequence in the current project. Link to an existing sequence For best results, match sequence settings and project settings in Adobe Premiere Pro such as dimensions, pixel aspect ratio, and frame rate to those settings in the After Effects project.

Choose an Adobe Premiere Proproject, and then choose one or more sequences. Dynamic Link performance A linked clip can refer to a complex source composition.

Actions you perform on the complex source composition require additional processing time. After Effects takes time to apply the actions and make the final data available to Adobe Premiere Pro or Encore. In some cases, the additional processing time delays preview or playback. To reduce playback delays, do one of the following: Page: 46 take the linked composition offline disable a linked clip to temporarily stop referencing a composition render the composition and replace the dynamically linked composition with the rendered file If you commonly work with complex source compositions, try adding RAM or a faster processor.

See Improve performance by optimizing memory, cache, and multiprocessing settings. Page: 47 Workspaces, panels, and viewers To the top Workspaces and panels Viewers Workspaces and panels Adobe video and audio applications provide a consistent, customizable user interface. Although each application has its own set of panels, you move and group panels in the same way in each application. The main window of a program is the application window. Panels are organized in this window in an arrangement called a workspace.

Each application includes several predefined workspaces that optimize the layout of panels for specific tasks. You can also create and customize your own workspaces by arranging panels in the layout that best suits your working style for specific tasks. You can drag panels to new locations, move panels into or out of a group, place panels alongside each other, and undock a panel so that it floats in a new window above the application window.

As you rearrange panels, the other panels resize automatically to fit the window. Example workspace A. Application window B. Grouped panels C. Individual panel To increase the available screen space, use multiple monitors. When you work with multiple monitors, the application window appears on the main monitor, and you place floating windows on the second monitor.

Monitor configurations are stored in the workspace. Workspaces are stored in XML files in the preferences folder. With some caveats regarding monitor size and layout, these workspaces can be moved to another computer and used there. See this video tutorial about workspaces by Andrew Devis on the Creative Cow website for more details.

Online resources about panels and workspaces For a video about panels and workspaces, go to the Adobe website: www. Page: 48 Choose a workspace from the Workspace menu in the Tools panel. Save, reset, or delete workspaces Save a custom workspace As you customize a workspace, the application tracks your changes, storing the most recent layout. To store a specific layout more permanently, save a custom workspace. Saved custom workspaces appear in the Workspace menu, where you can return to and reset them.

Type a name for the workspace, and click OK. Note: After Effects, Premiere Pro, Encore If a project saved with a custom workspace is opened on another system, the application looks for a workspace with a matching name. Reset a workspace Reset the current workspace to return to its original, saved layout of panels. Delete a workspace 1. Choose the workspace you want to delete, and then click OK. Note: You cannot delete the currently active workspace.

Dock, group, or float panels You can dock panels together, move them into or out of groups, and undock them so they float above the application window. As you drag a panel, drop zones—areas onto which you can move the panel—become highlighted. The drop zone you choose determines where the panel is inserted, and whether it docks or groups with other panels.

Docking zones Docking zones exist along the edges of a panel, group, or window. Docking a panel places it adjacent to the existing group, resizing all groups to accommodate the new panel. Dragging panel A onto docking zone B to dock it C Grouping zones Grouping zones exist in the middle of a panel or group, and along the tab area of panels. Dropping a panel on a grouping zone stacks it with other panels. Page: 49 Dragging panel A onto grouping zone B to group it with existing panels C Dock or group panels 1.

If the panel you want to dock or group is not visible, choose it from the Window menu. Drag panel gripper to move one panel To move an entire group, drag the group gripper in the upper-right corner onto the desired drop zone. Drag group gripper to move entire group The application docks or groups the panel, according to the type of drop zone. Undock a panel in a floating window Page: 50 When you undock a panel in a floating window, you can add panels to the window and modify it similarly to the application window.

You can use floating windows to use a secondary monitor, or to create workspaces like the workspaces in earlier versions of Adobe applications. Undock Frame undocks the panel group. When you release the mouse button, the panel or group appears in a new floating window. Drag the panel or group outside the application window. If the application window is maximized, drag the panel to the Windows taskbar.

Press the key again to return the panel to its original size. When you drag the divider between panel groups, all groups that share the divider are resized. Do either of the following: To resize either horizontally or vertically, position the pointer between two panel groups. The pointer becomes a double arrow. To resize in both directions at once, position the pointer at the intersection between three or more panel groups.

The pointer becomes a four-way arrow. We are going to compose a wound on a moving head and use the Mocha tracker in combination with his script MochaImport. Trust me, this is so much easier then creating a real head wound! It is all done in After Effects without any third party plug-ins. How to automate client onboarding. PrestaShop alternatives. GoodBarber alternatives. The top 6 advantages of Shopify as an e-commerce platform. How to start a modeling agency. How to send surveys: 4 survey distribution methods.

How to turn survey results into a great presentation. What is the best way to learn Adobe After Effects? Adobe After Effects is one of the more useful places to brush up on After Effects techniques. MotionWorks provides After Effects tutorials, tips, and training with a rich collection of free courses for users of all skills.

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The features are across the top, and filters are accessible from a drop-down menu. Some of the special effects are pretty cool: sharpen, blur, distort, emboss, etc. You can even get some Instagram-esque vintage effects in there for good measure. The best software for post production, made my work real great.

I am using this version: Thank you for going through it, taught me a lot. Can someone explainme please how to watch every tutorial? Because when I click in the picture the link goes to other website and doesn’t showme the video tutorial.

I don’t speak english very well so maybe I wrote many things wrong. These are great tutorials, but I think the majority of your viewers new to moderate proficiency wanting to move up a notch with the software. I’d like to see some tuts that don’t require so many additional plugins.

 
 

 

Adobe After Effects CS6 | PDF | Media Technology | Software

 
After you have rendered a final movie, you can import it into After Effects to view it and use it as you would any other footage item.